Baby Do Die Do Review: Compelling neo-noir thriller that deserves appreciation for its attempt
Baby Do Die Do Movie Rating: 3 Stars
Watched Baby Do Die Do movie in Cinema. Let’s focus on the complete details, story, positive/negatives and at last my view on this movie.
Cast: Huma Qureshi, Sikandar Kher, Chunky Pandey, Rachit Singh, Seema Pahwa, Vidya Malvade and Himanshu Malik
Director: Nachiket Samant
Release Date: 3rd July 2026 in cinemas
Story: Movie revolves around Baby Karmarkar (Huma Qureshi), who cannot hear or speak but lives a double life as a dangerous contract killer in Mumbai’s underworld. Her weapon of choice is an umbrella that conceals a gun, and as her mentor and boss PM Jain (Chunky Panday) teaches her a crowd is a killer’s best friend.
The fact that Baby kills her targets while hoping to one day find and eliminate her sister’s murderer sets a sinister tone early on. Amandeep Singh Siddhu (Rachit Singh) is a struggling singer and music teacher who lives in the neighborhood and falls for Baby. Still grappling with the childhood trauma of losing her twin sister, Baby is further weighed down by the emotional toll of her dangerous profession. Longing for love and companionship, Baby eventually responds to Siddhu’s advances and begins a relationship with him.
Meanwhile, PM Jain works for the ruthless builder Zafar Katkar (Sikandar Kher), who asks him to assassinate rival real estate shark Mikky Murjhani (Himanshu Malik). Jain initially assigns the job to his other trusted aide Manu (Marudhar Shekhawat). When Manu fails to carry out the hit, Baby takes over and successfully eliminates Mikky. However, the assassination proves risky, as it puts her on the radar of DCP Anjum Khan (Seema Pahwa).
As the world of crime usurps everyone she loves and threatens Siddhu’s life, Baby decides to go after the culprit, all gun’s blazing, while also finding the answers she has sought all her life.
Positives
1. Performances
2. Cinematography
3. Direction
4. Story
Negatives
1. Length
2. Music
3. Climax
4. Screenplay
Durgesh Tiwary’s View: When I watched the trailer of this film plan to watch it on its release date as liked the trailer and as its first ever Bollywood movie of desi hitwoman. This is the story of Baby Karmarkar, a deaf-mute contract killer, whose life is upended when a hit by her colleague goes wrong. As she navigates Mumbai’s underbelly, infested by the real estate mafia, she is haunted by her twin sister’s murder, which first pulled her into the world of violence.
Baby Do Die Do is refreshingly different story. We have seen female killers, serial killers, gangsters, and criminals in Bollywood movies. But director Nachiket Samant gives us one of its first hitwomen. The neo-noir film has a taut narrative and keeps you engaged throughout. The nearly three-hour runtime does not feel exhausting. The compelling storytelling also connects the characters and subplots effectively, without making the film feel scattered. The plot twists keep you hooked, and the love angle does not dilute the film’s thrilling pulse. The film is quite engaging when the narrative focuses solely on Baby and her job as an assassin, which she is absolutely great at. The dark and gritty presence of the character creates a deeply immersive world, and it’s always a delight to see such unique female characters placed in a male-dominated world. The second half finally injects some life into the narrative. Once the revenge angle takes center stage, the film finds its footing and offers a few genuinely engaging moments. The thriller becomes more focused, and the stakes feel significantly higher than they did in the first half. The film’s dialogues are minimal, but wherever they are, they leave a deep impact on the story. In many places, silence becomes the most powerful dialogue, making the film’s dark and suspenseful atmosphere even more impressive. The film’s background score is one of its greatest strengths. It multiplies the impact of every suspenseful, action-packed, and emotional scene. Tojo Xavier’s cinematography gives the film a moody, rain-soaked texture that complements its world beautifully. The climax still delivers enough tension to remain engaging, but it never reaches the emotional heights that the first half promises. There is also a clear tease for a possible sequel, which feels less like a natural ending and more like an invitation to return for another chapter. It deserves credit for attempting something different in a commercial landscape that often rewards familiarity over originality. It is stylish without becoming hollow, emotional without turning melodramatic and experimental without losing sight of its audience.
Huma Qureshi is the film’s biggest strength. Without much dialogue, she delivers a brilliant performance based solely on her expressions and body language, bringing her character to life. Sikander Kher is also impressive in his role, making his screen presence felt in every scene. He brings an understated menace to his character and manages to send shivers down your spine without resorting to over-the-top theatrics. Chunky Pandey impresses with his unique style, while Seema Pahwa makes a strong impression even in her limited screen time. Rachit Singh and the rest of the cast also do complete justice to their respective characters, making the entire film truly relatable. Nachiket Samant has brought this unique crime thriller to the screen with utmost confidence. His direction proves to be the film’s biggest strength. He has masterfully handled the story’s pacing, neo-noir treatment, visual style, and suspense.
However, the film is not without its flaws. While the film keeps you enthralled, some plot points are predictable, including Baby’s secret, her sister’s killer, the betrayal, and the events that eventually take her life. A few tracks also feel unconvincing, such as the first high-profile kill that Baby takes up. The plot, however, fails to give us a consistently captivating narrative, as it keeps deviating multiple times. The movie deviates from being a gritty thriller to a not-so-engaging delusional romance that is undercooked. In the bigger series of events, Baby’s love life does not even come together to become convincing or have us emotionally invested. Eventually, what kicked off as an interesting assassin thriller turns into a very predictable revenge drama, which at some point we saw coming. That’s when the interest is somewhat lost. The cop Anjum Khan, played by Seema Pahwa, hardly gets anything substantial or meaty in the film. The film is neither a pulpy thriller nor a zippy dark comedy, which takes away from the fun it could have had in its two-hour runtime. The film tries to make it all look edgy, but it comes off unintentionally funny, given how effortlessly she operates. The biggest issue is predictability. If you have watched Bollywood revenge dramas, you will likely see the major twist coming well in advance. There are no real surprises waiting at the end. The action set piece, especially in the climax, doesn’t fully deliver either. It tries to build tension without going overboard with gory details, but the payoff is rather underwhelming because the staging feels so off. The pacing is sluggish, and several plot developments feel convenient rather than organic. Characters often make questionable decisions, making it difficult to stay invested in the story. For a thriller, the film lacks the urgency and tension required to keep audiences on the edge of their seats. The editing also works against the film. A crisper cut could have transformed the overall viewing experience, especially in the first hour where the narrative frequently loses momentum.
Overall, movie offers a different experience from traditional Bollywood crime thrillers. It is stylish, engaging, and powered by Huma Qureshi’s terrific act. It is a compelling neo-noir thriller that is well worth a watch. It also deserves appreciation for its attempt at being different, and taking risks with narrative, screenplay and direction. It is the kind of mid-budget Bollywood thriller that deserves encouragement. It proves that fresh ideas still exist within mainstream Hindi cinema. All they need is the courage to be made. My view on this film Time Pass.
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