Saamrajya Review: Powerful action drama backed by solid storytelling and performances
Saamrajya Movie Rating: 3.5 Stars
Watched Saamrajya movie in Cinema. Let’s focus on the complete details, story, positive/negatives and at last my view on this movie.
Cast: Vijay Deverakonda, Satyadev, Manish Chaudhari and Bhagyashri Borse
Director: Mohit Suri
Release Date: 31st July 2025 in cinemas
Story: Movie begins in 1920’s during the British era where a tribe called Divi living along the Srikakulam coast fall victim to brutal killings by the colonial forces. The tribe fails in the fight with the hope that a Saviour will arrive to put off their worries.
70 years later Suri (Vijay Deverakonda) is a constable constantly in search of his brother Shiva (Satyadev) who was estranged from him during their childhood. Shiva fled after killing their abusive father and ran away from home.
A spy handler Vishwa Singh (Manish Chaudhari) from the Indian Government’s topmost investigative agency, reaches out to Suri and asks him to take up an undercover operation. Suri declined but when informs that his brother Shiva is being held captive in Sri Lanka and is involved in smuggling.
To bring his brother back and uncover the crime network, Suri agrees for the mission and goes undercover. He enters the gang and earns his brother’s trust and also becomes one among them. That’s when trouble begins, for Shiva and those around him. Will Shiva get to know about Suri’s operation? What does the flashback have to do with the two brothers? Will they join hands against a common enemy? Watch this movie to find out.
Positives
1. Performances
2. Cinematography
3. Story
4. Direction
5. Screenplay
Negatives
1. Length
2. Lack emotion
3. Music
4. Climax
Durgesh Tiwary’s View: When I watched the trailer of this film planned to watch this movie in cinemas as loved the trailer. An undercover police constable is plunged into Sri Lanka on a covert mission to dismantle a powerful syndicate-only to discover its mastermind is his estranged brother, forcing him to confront family loyalty, and the moral cost of duty.
Saamrajya has a grand vision as it attempts a story that has so many elements all of which are separate, successful genres. It’s a spy thriller, an emotional drama on brotherhood and a reincarnation drama as well. The first half sets up the stakes, even if the scenes are familiar. But it is the second half that drags the film down. While the scale of Gowtam’s vision is visible, the execution falters majorly here. The film then explores themes of brotherhood and loyalty through the lens of a crime action thriller. Perhaps this is where the film scores highest. The bonding between Shiva and Suri is strikingly established. Special mention must be made of the action sequences shot in Sri Lanka. The gold smuggling episode is beautifully and realistically captured. While the writing has some flaws, its strengths in performance, action, and emotional depth make it worthwhile. By the end of the first half, what sets the film up nicely is how the brothers, who started off on opposite sides of the law, end up on the same side. This is where movie truly shines. Vijay Deverakonda dials down the swagger and delivers a performance grounded in restraint, emotional depth and simmering rage. His scenes with Satyadev are some of the most affecting moments in the film. Satyadev, as Shiva, brings his natural acting flair.
The action in movie is not over the top. Instead, it is functional and well-choreographed, mostly serving the emotional stakes of the story. The film’s strength lies in how the physical confrontations and conflicts are grounded in personal choices, with a maturity in the staging whether it is Suri or Shiva making a pivotal decision. Tinnanuri’s control over tone ensures that the story never veers into melodrama or spectacle for its own sake. Visually, the film does make an impression. Cinematography by Girish Gangadharan and Jomon T. John brings richness to the locations and creates strong visual texture, especially in key action scenes. Some sequences are aesthetically pleasing and elevate the viewing experience to an extent. The director Gowtam had a chance to go overboard to woo the audience instantly with all the aforementioned sequences, but he chose to stick to his strengths and style. This is where movie stands out from the rest of the action-drama films that have come out in the recent past. The climax ends with a hint that the story is not over yet. In the final moments, Suri is shown being treated like a king by a tribal group. Will they learn about his undercover mission? Will they still accept him as their leader? Will Murugan’s brother take revenge?
Despite being in development for nearly two years, Kingdom falls short in narrative strength. The story feels overly familiar, with little surprise or emotional weight to keep the viewer engaged. Gowtam Tinnanuri, known for his previous character-driven films, seems to have taken a more stylized approach here, but the emotional core suffers because of it. The film’s emotional arc, especially between the brothers, is meant to be the driving force, but it is underplayed and lacks proper elevation. This disconnect affects the overall impact of key scenes. There are no high points that truly resonate, and the emotional scenes pass by without much consequence. Supporting roles and side characters feel more like placeholders than fully realized individuals. Many scenes echo familiar moments from other films, creating a sense of déjà vu and making the experience predictable. The film suffers from pacing issues, and the narrative often feels bumpy. For instance, the director could have trimmed a few scenes involving the smuggling cartel. An unnecessary song and a few scenes in the second half interrupt the flow of proceedings. The screenplay also suffers from inconsistency, especially toward the climax.
Overall, movie is a well-crafted action drama with emotional integrity and visual flair. Nitpicking aside, it delivers an impactful cinematic experience. It may not be a brand-new story, but it stands out for being clean, focused and engaging. With neat action, honest emotion and no unnecessary songs or dragged drama, it keeps you hooked till the end. The film closes with an interesting setup for a sequel, making it a solid choice for a weekend family watch. My view on this movie Recommended.
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